I couldn't let the day end without mentioning David Croft, who sadly passed away earlier today. I worked with David on two series' of 'Allo,Allo!, one of a number of hugely successful comedy shows that he wrote, directed and produced for the BBC over many years; shows which have become part of the fabric and culture of the nation, especially perhaps, Dad's Army, which he created with Jimmy Perry.
I can't claim to have known David well and I'm sure many other people will write much more about him in the days to come. What I can say, is that he was always immensely kind to me, very generous with his time and in sharing his vast experience in comedy.
Our first meeting was at the read through for my first studio episode, having previously worked only on location with another director, Susan Belbin. The call was for 11.30 am and I arrived at the studio at 9.30 so that I knew exactly where I needed to be. I wanted to arrive at the huge table already set up in the middle of the cavernous sound stage with a few minutes to spare, so that in my trepidation, I didn't have to meet the cast of very well known actors and be too nervous to function. At 11.25 I breezed into the room only to find the table fully occupied and David Croft reading in my lines. The call was not 11.30 as I had been informed, but 11 o'clock - what a great start!Of course, I apologised profusely to everyone at the end of the reading and tried to explain that I'd been there for hours 'killing time'. David just smiled and said something comforting and it was never mentioned again. Others in his position might have fired me on the spot.
I remember once sitting with him in the BBC canteen at TV Centre, having a bite to eat, before recording sections of the programme in front of a live Friday night audience. I was telling him how much I loved Dad's Army and he was kind enough to talk to me about it and pass on a few anecdotes about some of the cast members - perhaps you can imagine how I felt at the time.
Knowing of my keen interest in how things were done in tv comedy, he would invite me into the director's gallery to watch him direct the show, cutting between five cameras on the studio floor and having the generosity and patience to explain to me what he was doing. There I would be, in make-up and costume as Corporal Caponi, watching him and the crew, waiting to go down to do my bit..
Such knowledge and insight gave me a better idea of what I needed to be doing as an actor. He would also sometimes invite me to look through the camera lens so that I could see how a shot was being framed, giving me a better understanding of how to play the scene. One day, we were filming in Nouvion Town Square at Elstree Studios and David gave me a note: he said that in the shot we had just rehearsed, if I were to stand with my weight 'on the other leg', it would be funnier. I did - and it was. That was the only acting note he ever gave me, apart from suggesting that I shouldn't learn my lines too well because the show was like a 'a soufflé' and should feel light and fresh. He would often go with a first take, even if there were a few mistakes, rather than lose the 'spontaneity' of it.
In his calm, quiet way, he taught me a huge amount and I shall remember him always with great affection and respect. In my opinion, he was a genius, who created some of the best loved television comedy this country has ever produced. It was a great privilege and an absolute pleasure to have known and worked with him.
You have been watching...
...David Croft.
