...and for good reason.
This has been quite a week; Monday was taken up with the first day of rehearsals for
Port at the NT (see last month for details) and what fun it was. It's been a while since I did any 'building based' theatre, for want of a better term; recent stage activity has been with independent companies essentially renting a theatre space. The contrast between my last theatre job at The Old Red Lion (a small, yet highly respected 'pub theatre' in Islington, London) and this one at The Royal National Theatre couldn't really be more extreme in terms of facilities, budget and sheer scale. Having said that, of course, the essential process is exactly the same; a bunch of people in a rehearsal room, willing to make utter fools of themselves when required, in order to serve the needs of a script and hoping that they can deliver a piece of work which will entertain and stimulate an audience.
So, on Monday, we gathered in a rehearsal room deep in the bowels of the NT to play games, get to know each other a bit, read the play together, look at a model of the set, meet other members of the production team, of whom there are something like seventy or eighty, all geared to getting our play from page to stage and began the paradoxically familiar yet uniquely new process of rehearsing a play.
I've spent most of my adult life in the theatre, most of my teenage life too come to think of it, and being in a theatre never fails to feel very special indeed; Jack Lemmon always referred to it as "magic time". Whether at The Old Red Lion or the NT, the sense of expectation, adventure, joy, fulfilment, challenge, triumph and impending disaster is the same intoxicating brew. Acting is a 'drug' so powerful, that one's senses can feel heightened and enhanced to an extraordinary degree. By comparison, much of what constitutes normal, regular every day activity feels like a waste of time. As The Great Wallenda* was quoted as saying: "Life is on the wire, the rest is just waiting".
Neatly seguing into the next part of the posting; hopefully, this month will see the end of waiting for the release of a new set of
Stargate SG-1 adventures, which have been previously postponed a number of times. At some time or other, over a period of several months, I think I've played or 'read-in' every character in these stories and therefore feel like I've made quite an investment in them. Consequently, I'm looking forward to hearing the finished recordings very keenly indeed. There may be more to come, but until then, here's the existing artwork:
Next up this month is the CD release of Garro: Sword of Truth from The Black Library. Here are the details:
Nathaniel Garro, knight errant and agent of the Sigillite, returns from
the battlefields of Calth to find a new mission already waiting for him –
a ragged fleet of Space Marines from several Legions lingers at the
edge of the Terran system. With the presence of World Eaters and
Emperor’s Children causing concern among the loyalist defenders and
drawing a grim parallel with his own frantic flight, Garro must look
beneath the obvious if he is to determine friend from foe...
Online reviews & comments:
Fantastic production
Rated 5 out of 5 by Travis
This was the best drama I have heard so far, the story intense and the voice acting phenomenal.
The sound effects were also very fitting, it was like listening to a Hollywood movie!
Garro: Sword of awesomesauce
Rated 5 out of 5 by John
Bloody marvellous. Wonderful set-up,
good twists, amazing little fluff-bomb that drops towards the end.
Amazing
Rated 5 out of 5 by Aleksi
Words have a hard time describing how awesome Sword of Truth was. I cant praise it highly enough.
Theater of the mind, and artistic story telling for the ages. This audio drama does not disappoint.
Rated 5 out of 5 by Douglas
Simply put this is another outstanding audio drama in the
Garro mini-series. The story is a wonderful tale that keeps the listener
at the edge of their seat and thoroughly enthralled with the drama
being played out as our hero Garro and his companion Rubio must decide
the fate of would-be refugees of the Warmaster's heresy and betrayal.
Fantastic
Rated 5 out of 5 by Duncan
Everything works about this audio-drama, the characters, the
sound effects, the narration and the plot. I didn't want it to end. BL
are onto a winner with Garro and co. More please!
Performed by John Banks, Toby Longworth and Ramon Tikaram.
Written by: James Swallow
Directed by: Ken Bentley
Produced by Black Library & Big
Finish.
Also during the very busy week just gone was the recording of a new Big Finish story in a series I haven't previously worked on, details of which are to follow. Next week, in addition to everything else, I'm back in the studio for a couple of days to work on a fascinating and very exciting new Dr Who story** - again, details to follow when BF release them. Frustrating I know; what was I saying a few months ago about the joys of deferred gratification? Just to crank up the teasing nature of all this, I have the script here in front of me and I'll be spending a large part of this sunny Saturday afternoon working my way through it - what fun!
All for now, but there may well be more to come this month, so do check in for further updates.
*
Karl Wallenda (January 21, 1905 – March 22, 1978) was the founder of
The Flying Wallendas, an internationally known circus act, remembered for performing death-defying stunts, often without a safety net.
** At the moment, the most I can say about next week's Dr Who story is that it's a 'Companion Chronicle'.
